A wonderful letter from George Sanders to Brian Aherne a very long time ago:
December 31st, 1937
Dear Brian,
I was very happy to receive your angry letter, and I am glad I shook you up a bit. Ask yourself this question: If money (greed); loyalty to theatrical tradition (pernicious exhibitionism); rigid conformity to social convention (masochism), are incompatible with personal happiness--which should be sacrificed?
You talk about the theatre as if it had some cosmic significance. As a matter of fact it is pathetically sublunary; a drab and dusty monument to man's inability to find within himself the resources of his own entertainment. It is usually rather fittingly housed in a dirty old building, whose crumbling walls occasionally resound with perfunctory applause, invariably interpreted by the actor as praise. A sad place, draughty and smelly when empty, hot and sick when full.
I wonder which is the sickest, the audience which seeks to escape its miseries by being transported into a land of make-believe, or the actor who is nurtured in his struggle for personal aggrandisement by the sickness of the audience.
I think perhaps it is the actor, strutting and orating away his youth and his health, alienated from reality, disingenuous in his relationships, a muddle-headed peacock forever chasing after the rainbow of his pathetic narcissism.
My love and best wishes for a happy New Year.
George
You see, I really don't like dwelling on everything that's wrong.
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